By Grace A. Johnson


This may seem hard to believe, but when you have brothers, watching Pride and Prejudice and Hallmark romances is unacceptable. Instead, you waste a week of your life bingeing the original Spiderman trilogy and are left with the image of Tobey Maguire dancing outside of the clothing store embedded in your brain. Trust me, that does not make for pleasant dreams.

What it does do, however, is provide you with food for your conscious thought - specifically about heroes. I started comparing Tobey Maguire’s Spiderman to Tom Holland’s (as I’ve not seen Andrew Garfield’s portrayal yet) and noticed some very stark differences - and I don’t mean in appearances. Even though Holland’s Spidey is more realistic in terms of age, is more...pleasing to the eye, and doesn’t do the dance, Maguire’s still brings some things to the table that the newer Spiderman doesn’t.

For example, Maguire’s Spiderman is more emotionally involved, more human and fallible, and of course the addition of his origin story makes his entire trilogy more engaging. Holland’s isn’t the same, and although he does have his own individual merits, I didn’t feel the same connection to 2016 Peter as I did to 2001 Peter, you know?

Because of that, my post today will be tailored to Maguire’s Spiderman, even if some of the points I make may fit with Garfield’s and Holland’s and other portrayals.

Spiderman teaches us a lot of things about heroes that transcend or redefine the classic idea, from proper motivation and emotional involvement to being made rather than born and taking on different roles depending on the perspective. So why don’t we dive into how you can apply these elements to your hero too! (Please note that there will be spoilers for all the original Spiderman movies and the new Spiderman movies.)


Heroes Are Ordinary People

Who Make Mistakes


I know it’s pretty obvious, isn’t it? Not everyone is Superman. Not everyone is perfect. Including your hero. We know that, don’t we?

But do we apply it?

Peter Parker is ordinary in every way - from his backstory to his appearance to his DNA. The only thing exemplary about Pete is his nerdiness - pardon me, intellect. Otherwise, what’s special about Peter Parker? He deals with loss like any other person, can’t catch the eye of his crush like I’m sure most of us can empathize with, and is often lost in the sea of faces.

Even when he gets bit by a spider and is given amazing powers and abilities, he’s still ordinary. He still works a job. He still has grief and guilt. He still struggles in relationships. He still screws up - and often, I might add.

And, boy, the mistakes Peter makes! (More on that later…)

Marvel (and the screenplay writers and director) apply the imperfect ideology so well. They keep with who Peter is behind the mask to create a stronger and more realistic hero in front of the mask. They don’t make every element of his life easy and perfect for him. They don’t make him do the right thing every time. Yeah, Peter even loses the girl, his best friend, and almost his aunt, on top of losing countless times to the bad guys.

This just shows us that heroes are not born - they are not instantly generated after a spider bite. They’re made. Carefully crafted through failures and trials. Comprised of all the good choices and the bad choices too. Sometimes, for all the good your hero does, they don’t often make the ultimate sacrifice or become a true hero until the end of their journey (i.e., the end of the book or movie).

How can we too apply this ideology and make our heroes real and true? Try following some of the steps taken with Spiderman:

  • Put in him tough situations where he has to make a choice (note: his choices don’t have to be black and white; make them grey with their own pros and cons, like when Peter was forced to choose between dating MJ or being Spiderman at the end of the first movie).
  • Give him moments of selfishness. Maybe he decides to go see his girlfriend’s play instead of foiling a bank heist, or maybe he simply holds off on doing something for someone else to finish his own work. This is when those grey choices come into play.
  • Give the good choices consequences. So maybe he does foil the bank heist instead of attending the play, but his girlfriend breaks up with him because he didn’t show up. Not only will your hero’s attitude about the consequences reveal more about his character, it will cause him to consider his actions a little more the next time he takes the high way.
  • Give him struggles outside of his hero status. It’s doubtful your hero will be consumed with their hero duties. I mean, even Superman has a job! So don’t set his personal life aside - highlight his struggles at school, work, with his family and friends. How he reacts (or doesn’t react) to those will affect his reactions to more heroic situations and broaden your readers’ perspective of your character.
  • Skew his moral compass. Your hero may be on the straight and narrow when it comes to the basics like murder and stealing, or he may be aligned with a kingdom, political movement, or rebellion that stands for good things. But that doesn’t mean he’s got everything right. He may use methods like lying and cheating for the better good of his kingdom or people. He may brutally harm the bad guys (yes, they probably deserve it, but still). Or, on the flip side, maybe he’s a tenderhearted, loving guy who wouldn’t hurt a fly...but works for the wrong side. Your hero isn’t defined by politics or the little things - his true identity is found in the ultimate choice or sacrifice he makes and the impact he leaves on his world.


Heroes Need Proper Motivation

You always hear about villain’s motives, criminal’s motives, motives for murder...but what about your hero’s motives? I mean, as noble as it sounds, very few people would risk their lives for what’s right if they have no motivation. 

Spiderman is a perfect example of a hero with motives. He wants to make up for the wrong he did by not stopping the thief who was responsible for his uncle’s death. He wants to make Uncle Ben proud. He wants to put his powers to good use. He wants to be somebody. He wants to be valued. He wants to make a difference. There are a myriad of ways he could have gone about doing those things, but he chose to fight crime and save damsels in distress.

These motives are what put him on the path to becoming a superhero, and they’re the same motives that carried him through all the rough patches. When he gave up being Spiderman so that he could date Mary-Jane in the second film, what brought him to his senses and pushed him to don the mask once more?

His uncle Ben.

Now, not everyone has an Uncle Ben (unfortunately) and not everyone gets bitten by a genetically modified spider (fortunately), so before you assign your hero an epic journey or secret mission, take some time to think about what will motivate him to do good and what will keep him going when the going gets tough. I recommend asking yourself these questions:

  • Why is this character my hero? For example, why was Peter the one who chose to do good? What made him different from Norman Obsorn or Dr. Octavius or his friend Harry or even Eddie Brock? Compare your hero to his sidekick, his friends and family, the minor characters, even the villain, and pick out the factors that motivated you to put him in the position of hero.
  • Why will my character have to choose between right and wrong? Does he have past mistakes to atone for? Does he find out the truth about something (like Harry in the last movie) that he can’t deny? Is he being offered money or power to fight for a certain cause? Has he personally been affected by the good or evil in his life? Like it or not, there has to be a reason for him to make the choice to begin with, and you can’t determine why he’ll choose until you know why he has to.
  • Why does my character choose good? You’ve figured out why there’s a choice, so now you’ve got to ask yourself what will prompt your character to choose good. Does he feel guilty for those past mistakes? Does that truth affect his relationships or career or even his very life? Will accepting that offer of money or power help or hinder him in some way? Does he want to change how the good or evil affects him? Expand off of your answer to the last question to find the answer to this one!
  • How do those motivations carry throughout the story? Or, in some cases, do they at all? I’ll put it like this: there may be motive to murder, but what’s the motive for evading the police or covering their tracks? Will the original motive continue to spur them on? If so, how? Or, will new motives arise that encourage the hero’s future choices?


Heroes Will Be

Emotionally Involved


This point plays off of the last two, and it also brings us back to the comparison of Maguire’s Spidey to Holland’s Spidey.

When we meet Holland’s Spiderman in Captain America: Civil War, he already has his powers, Uncle Ben has already passed away, and as Peter’s story continues in Homecoming, we see how his character and the relationships he’s in greatly differ from Maguire’s Peter. For example, there is no Harry.

Instead, 2016 Peter’s best friend is loveable, funny Ned who soon discovers Peter’s real identity and doesn’t try to kill him for it. There’s also no Mary-Jane (although we do technically have a MJ, but we’re focusing on Homecoming for now). We have Lizzy, who’s father is the main villain in the movie, but aside from the initial shock when Peter realizes that he has a crush on the Vulture’s daughter, there isn’t as much conflict as there was between 2001 Peter, his best friend Harry, and Harry’s father, the Green Goblin. In fact, that storyline is wrapped up at the end of the first movie, rather than carried throughout the entire trilogy.

Because of these differences (which have pros and cons of their own), I never felt like Holland’s Spidey had the same emotional involvement that Maguire’s did - yes, there was a level of emotion which grew after Tony Stark’s death and the deal with Mysterio in Far From Home, but it wasn’t the same. At least, not for me. You take it how you will.

Regardless, it got me thinking. Spiderman wasn’t just fighting random thugs on the street.

He was fighting his friends. People he knew and cared about. Unlike Superman or Batman and their villains, Peter Parker’s personal life was entwined with those of his adversaries. Even Sandman/Flint Marko was the man who shot his uncle, and Eddie Brock was the man who stole his job and tried to ruin his reputation.

As I was saying, this emotional involvement and the struggles that ensue all stem from the humanity of your hero (or, in case your hero is a Hobbit, the ordinariness of your hero). And it’s all part of his motives as a hero. Having a hero with an emotional or personal stake in the outcome of the current situation is imperative to making them more real and relatable. (Because, c’mon, tell me Harry wasn’t the only one who was “gonna cry.”)

Now, not all of us feel like utilizing the classic the-villain-is-my-best-friend-or-my-best-friend’s-relative-or-my-love-interest trope (or, worse, the-villain-captured-my-girlfriend, which it seems is Spidey’s favorite)...so what are some other ways we can weave our hero’s life into the battle for truth and justice?

  • The villain or evil force threatens your hero’s family. Admit it, when Doc Oct threatened to kill Aunt May, we were all just as outraged as Peter. Why not let the evil have an impact on your hero’s family? Maybe it’s something as simple as a war negatively affecting the economy, or maybe you go straight for the throat (literally) and have your villain hold a knife up to their mother.
  • He was once evil too. Here’s a doozy for ya. What if your hero is actually a turncoat? Just think of the endless possiblities to emotionally torture your character as he fights old partners or schemes against his ex-mentor. Maybe he’s even going against his own family. Or, try this one on for size, the “dark side” has threatened to reveal your hero’s dirty past to his love interest, new kingdom, or trusting army if he doesn’t stop thwarting all their evil plans. (The suspense is already getting to me!)
  • He knows a secret. Now, usually when we think of blackmail or threats, we think of the villain holding the hero’s real identity or deep, dark secret over his head, right? But what if the hero knows the villain’s true identity or a secret that could ruin their personal life or all their evil schemes? For example, regardless of Peter’s friendship with Harry, he knows Green Goblin’s true identity, and had he revealed that...well, let’s just say that things might have gone worse than they really did. Because of this, your hero suddenly has power over the villain that’s not “just business” - this is personal. Think of how that might affect your hero’s perspective of the villain.


Heroes Can Be the Villain or Cause


Wait a minute, you say. We’re talking about the hero, right? How the heck could he possibly be the villain?

Well, don’t get your panties in a wad. Spiderman proves my point quite nicely. Just think about the circumstances of his story...his villains...all the MJ kidnappings and fights gone awry. Who really caused most of them?

You guessed it. Spidey himself.

Spiderman ruined Eddie Brock’s life, which gave Venom a new host, thereby causing the end battle scene in the third movie. On that note, if it weren’t for Peter keeping a sample of the symbiote in the first place, the events of the movie wouldn’t have taken place at all. Spiderman brought a deceased Green Goblin back to his house right when Harry walked in, putting Harry on the road to destruction. And then there’s MJ. Obviously, it’s all Peter’s fault for her getting captured all the time.

See what I mean?

Sometimes, heroes make ginormous mistakes that create a villain, motivate the villain, or put people in harm’s way. Not only can this tie in to developing your source of conflict (whether it’s a single villain, an evil organization, or a mysterious force), but this lends your hero another level of depth. It’s not just motivation and emotional involvement; it’s outright guilt. Even in the Avengers or the Incredibles, we find the heroes causing a great deal of the problems...and even being punished for them. Think of how that will add more to your hero’s story and strengthen his arc.

Of course, now’s the time for me to give you some suggestions, so let’s dive in!

  • Wrong place, wrong time. Like when Mary-Jane was captured by Doc Oct just by being with Peter in the second film, your hero can often be caught in the wrong place at the wrong time. Perhaps he catches sight of one of the villain’s henchmen in the village marketplace and some innocent bystanders are wounded during their fight...or maybe he’s seen with a certain person and they’re targeted because of that.
  • A moment of selfishness. You musn’t forget that your hero is indeed human (or elven...or a faerie...or, you know what? Never mind). Your hero is imperfect, destined to fail. Unless he’s a parallel to Jesus, in which case there’s nothing Spidey can teach ya there. Anyway, because of this, he’s susceptible to selfishness. Whether it’s taking the very last cookie instead of letting someone else eat it, keeping a strange otherworldly symbiote for themselves, or just being Tony Stark (no offense, of course), one small act of self-centeredness could set off a chain reaction. After all, nothing good ever comes of being self-serving, does it?
  • Miscommunication/misjudgement. These two can often go hand-in-hand, and they both can be interpreted in a myriad of ways depending on your story and characters, so I’ll leave the particulars up to you. But you never know when your hero is going to mishear someone over the phone and show up too late or misjudge someone and peg them for the villain while the real one gets away. Any time they jump to conclusions, fill in the blanks, or rely on their own understanding, someone or something is put into jeopardy. Remember, the fate of the world (or worlds) rests in their hands.


All in all, I think we can agree that Spiderman is an ordinary nerd off the side of the road who was in the wrong place at the wrong time, got crazy powers, did some stupid stuff, and still came out on top. We should also be able to agree, after reading this really long (possibly boring) article, that we can learn a lot from Spidey’s failures and successes.

Take a look at your hero or heroine and see how well you apply mistakes, motivation, emotional involvement, and general stupidity and lapses in good judgement to strengthen their character and make them a better and more realistic hero.

 Does he have moments of selfishness and personal struggles? Is his personal life entwined with the issue at hand? What motivates him to keep going and fight the good fight? What inspired him to take a stand and save the day in the first place? Where does he falter and cause problems? Is he the true villain of the story or the reason behind some of the world’s problems (or at least MJ’s problems)?

What about other heroes - super or otherwise? How have they failed or made mistakes? How are they emotionally involved with the villain’s evil schemes? What is their motivation? 

And while I’m asking...Maguire’s Spiderman, Garfield’s, or Holland’s?

Which is your favorite?

Grace A. Johnson

Grace A. Johnson first began writing at four. Of course, in those days her stories were merely scribbles. As time went on, she went from princess stories to Barbie picture books to some of her very first novels at ten. 

Held Captive was one of the first, and was published after nearly two years of hard work. She is now a college student balancing her home-life with her schooling and her writing. Her greatest inspiration is her Savior and friend, Jesus Christ, and her one mission is to reach others for him.

She writes at:  https://www.graceajohnson.com 

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