By Rachel Leitch
Here we are, back again to look at some more common stereotypes when writing fictional families.
To recap what I said in the last article: due to overuse, some popular tropes have now devolved into stereotypes that don’t scratch the surface of what a family really is.
In the last article, we took a look at how to combat these stereotypes when creating families in general and when creating parents for your characters. We thought about how to portray tough relationships without them being stereotypical and how to dig beyond the title of “mom” and “dad.”
This second part is going to be the fun part: siblings.
Click here to read the first part!
Navigating Family Stereotypes: The First Part
Does My Character Need Siblings?
I originally was planning to say yes. But an editor pointed out a much more true point–stories should only have characters that are relevant to the plot.
So the better question is are siblings relevant to your plot?
Similar to what I said about families in general, evaluate what effect siblings will have on your character’s internal and external battles. If they won’t have a bearing on any of those things and would end up just being extra names in a story, don’t just add siblings to the story in the name of representation.
If you find the answer is yes, siblings would be relevant, then make the most of them. Some characters may need a big family. For others, one or two siblings will make the most sense with the story and accomplish the need quite nicely.
Next, we’ll explore how to write specific siblings without having them fall into the bratty, argumentative stereotypes.
Some Siblings to Study:
Oldest Children
Alright. I’m going to try to contain the rant. But as an oldest child myself, I could give you a list a mile long of examples of this stereotype.
Oldest children in fiction are the ones who can do no wrong. They are perfect and love to remind people that they are perfect, usually their unsuspecting siblings. They always have it all together and are pursuing a crazy prestigious career. And they love nothing more than to boss others around and remind everyone how they are better than them.
Where Did This Come From? Oldest children naturally feel a sense of leadership and responsibility when it comes to their siblings. They naturally feel the desire to protect them from harm and are willing to go to great lengths to make that happen.
But especially when oldest children have experienced hurt in their own lives, that sense can come off as controlling—when really, they’re just desperately trying to assuage their own conscience, make everyone happy, and protect the ones they love the most.
The Problem Is . . . The bossy oldest stereotype ignores that heart. It just shows the often-annoying side effects and never dares dirty their fingers with the deep love and good intentions underneath. As a result, oldest children become the faceless jerk of every story.
How Do We Fix This? We’re bossy. I’ll admit it. See my hand in the air?
So the trick in your story is to explore why they’re bossy. What drives them? Do they want to impress a parent? Do they want to protect their siblings from a hurt they themselves feel? Have they simply been expected to be the mature one, forced to grow up too fast? Dig deep into your oldest child’s soul and see what comes out.
Some Oldest Children to Study:
Middle Children
We love middle children, don’t we? It’s hard not to love them! They always seem to know the perfect balance between the bossy oldest and the spoiled youngest. They hold the family and the siblings together when no one else does. They’re low-key and chill, peace-loving and sipping their chai even when the world is in flames around them. Yet, somehow, all their hard work is always overlooked.
Where Did This Come From? Quite frankly—this is all true! Middle children are amazing. I often look at my own sister and try to figure out how she handles it all. Much like oldest children are naturally born to protect, middle children are naturally born to mediate. They’re used to being sandwiched between the oldest and the youngest, used to being the bridge.
The Problem Is . . . We mistake this ability to mediate as meaning they’re chill and chai-sipping all the time. While they might be that way on the outside, there is A LOT happening on the inside—enough emotional conflict to fuel an entire book, really. To write this stereotype is to ignore their feelings and to ignore that chill looks different for everyone.
Then, to put the cherry on the sundae, middle children are often written as the “forgotten” child. While this may be a struggle a few of them face, it’s not true of the rule. And by writing them as forgotten over and over again, we’re reinforcing the idea that they are forgettable.
How Do We Fix This? Find your middle child’s unique brand of chill. For some, chill does look like sipping a chai. But what if chill looks like running around and planning all the aspects of a party so the family can relax? What if chill looks like withdrawing from a situation and spending some time alone in their room? What if chill looks like offering up their own ideas to try and improve a situation? Your possibilities are endless.
When you dig beyond the “chill,” you’ll often find a lot of things your middle child might have been hiding—sadness, fear, anger. Find out what makes them feel their negative emotions.
And make sure your middle child isn’t forgotten. Even if a certain family member overlooks them (if it’s necessary for your story), make sure someone else sees.
Some Middles to Study:
Youngest Children
Ah, the youngest children. They get everything they want with just a toothy grin. That unique superpower will work either one of two ways in their young lives—they’ll either become ridiculously innocent or ridiculously entitled.
Where Did This Come From? Youngest children do hold a special place in the family. They’re the last one, so even the smallest things are a different kind of special because it’s the last time the family might experience it. Whether they receive hand-me-downs or (especially if they’re the opposite gender of the sibling above them) get it brand new, they receive a lot. They can be very in tune with other family members. (Read: They’re the ones to send to ask for something.)
The Problem Is . . . This stereotype assumes youngest children want it all. Sometimes they can be a little out of tune with other siblings’ struggles just because they never had to face this problem, but this stereotype assumes the youngest children are just out for more. It villainizes them.
How Do We Fix It? As an oldest, I understand it a little bit. Oldest children can also be portrayed as “parents’ pet.” It’s hard to be accused of being the favorite when you did nothing to bring it on yourself other than be born.
How does your youngest child feel about the attention they may or may not be receiving? What are they doing with the unique assets and situations they have that other siblings may not? Your youngest child has a special advantage in the story, an advantage that can deeply shape their motivation.
Some Youngest Children to Study:
Only Children
As much as I support giving a character siblings whenever possible, only children are also real people and need to be represented. In books, only children are worse than the youngest children. Since their parents have no other children, they are unbelievably spoiled and receive little to no discipline. They do what they want, when and how they want to, and anyone who stands in their way had better beware.
Where Does This Come From? As a paraprofessional at an elementary school, I can call an only child a mile away. Especially as children, they do have a tendency to struggle with things like sharing and being kind to other students—not always on purpose, but simply because they don’t understand anything different. They’ve never had to do this at home. It’s the norm for them.
The Problem Is . . . This stereotype dismisses all only children as selfish simply because they have no siblings. There is a difference between someone who is privileged and decides to be selfish, and someone who is privileged and chooses to overcome their weak areas, or even someone who is privileged and simply doesn’t know any better.
How Do We Fix This? Recognize your only child’s unique strengths and weaknesses. They may have some privileges or points of view that other characters don’t have. They may have character qualities shaped by different experiences. Commit to letting your only child experience things they’ve never experienced before. Let them always be learning and trying again.
Some Only Children to Study:
Conclusion:
We’ve made it through the stereotypes of the traditional family unit. Maybe this article has helped you think of siblings in a new way—whether that be your fictional siblings or your siblings in real life.
No matter who you are, there’s always more going on beneath the surface. The behavior on the outside is always coming from something on the inside. Sometimes what’s on the inside is good intentions. Sometimes it’s a hidden fear or anger. Sometimes it’s a wave of confusion or sadness.
Everyone has a story. Even siblings.
So what about your fictional family? How will they defy stereotypes and add to your plot? And while you’re at it, share your favorite fictional siblings in the comments below!
I’d love to chat with you.
Rachel Leitch
Rachel Leitch discovered the book of writing when she was seven. She’s been turning pages ever since! When she’s not hidden away penning young adult historical adventures, she’s trying to fit all her reads on her shelf in a somewhat organized manner, rambling through history, daydreaming at the piano, or teaching students to be just as bookish as she is. In all her adventures, she learns how to shine brighter for the Father of Lights.
For more lessons drawn from books and movies and other stories (and to receive a free digital short story), follow her adventure journal at https://racheljleitch.weebly.com!
Become an Unstoppable Writer!
Another wonderful article! Adding this one to the favorites as well! I’m really hoping to break both parent and sibling stereotypes in my books! I already see how Riker (the oldest) is different in some ways, in that he’s really not as bossy as many oldest siblings are portrayed. But he IS very protective, which can get on his sister’s nerves. XD But anyway, I would have to say my favorite siblings in fiction was the Paxton boys in Sarah Sundin’s Sunrise and Normandy Trilogy. I didn’t feel like they were stereotypical at all! My favorite was Wyatt, the oldest, but I could relate really well to Adler, who was the middle. (Haha. That’s only because I’m the middle kid. XD) And Clay, the youngest, wasn’t that stereotypical youngest in that he actually didn’t always get what he wanted. In fact, it almost seemed like the opposite at times! Both of his brothers betrayed him in some way, and in the aftermath, he was burdened with the consequences of the pain his BROTHERS had caused him. In many ways, he got all the things he didn’t want! XD They were epic books. I highly recommend them! But for one that most people would know about, easily the Pevensie’s. 😉
Sunrise At Normandy, I meant. XD
YES, the Paxton boys! I should have included them in this list. That was an excellently done sibling relationship.
I know, right!? 😀 Most people probably wouldn’t have known who they were though. XD But it was SO WELL DONE! 😉
Awesome article! I really love writing sibling relationships and I think the examples you gave were great 😀
Encanto does a really great job of portraying sibling dynamics. Isabela isn’t just bossy and uppity for the heck of it, she feels like she has to uphold a perfect image or she’ll disappoint her family. I loved that instead of maintaining her shallow appearance for the entire movie they actually gave her some depth and made her understandable. And Mirabel was great youngest-child representation 😀
Yeah! It was such a great movie.
Oh my goodness, YES. Not only do I just plain love Encanto, but they nailed family representation.
Hi! I really enjoyed this article, and (after stalking this website for months) I thought a comment was in order 😋
I’d like some advice. My middle grade novel focuses on two cousins (who I’ll call Al and Kit for short) and their family. They’re essentially twins, since not only are they a week apart, Kit was adopted by his aunt and uncle (Al’s parents). Long story short, I don’t want to fall into any stereotypes. Can anyone think of tropes related to twins and adoption? And ways to get past them?
Bonus question: The twins have a little sister, Sadie. Is it possible, if Kit was recently adopted, for her to almost take a middle child role, even if she’s the youngest?
Thanks for reading this ramble of a comment ❤
Ooh, great questions! I don’t have a lot of experience with twins, but I can do some research and see what I turn up.
As for adoption, a lot of the tropes are the same–their adoptive parents can fall into the same traps, as can their adoptive siblings.
I think two more unique to adoption tropes to be aware of are the searching for their birth parents trope and the “I didn’t know I was adopted” trope. Many adoptive families are very open with their kids about the topic (unless there’s a reason not to). If I were adopted, I would probably want to at least know about the family I was born to. I feel like in most books/movies, the adoptive parents are immediately hostile to the idea of the child learning more about their roots instead of helping them work through it in a healthy, safe way. However, I am not adopted, so someone please correct me if I’m wrong on these points. XD
In answer to the bonus question, I think Kit could absolutely take the middle child role! Since it’s an adoptive family, I think they could easily find their ways into those roles. In fact, if she had a different sibling role before, that could be an interesting transition to portray, her moving from one role to another.
Bring on the rambles!
You’re right – a LOT of adopted protagonists and their parents are like that, now that I think about it. Ah, well then perhaps I did something right XD Kit has always known he was adopted, and his parents have no problem with talking about it – in fact, if anyone doesn’t want to talk about it, it’s Kit himself.
Oops, about the bonus question, I meant that Sadie seems to be taking the middle child role. But what you’re saying still applies, so *shrug*
In conclusion, thank you!! You’ve been of great help 🙂
Awesome job! Weirdly enough, I see family dynamics in the Star Wars animated TV shows all the time. In the second most recent one, Rebels, the main group of characters has stuck together for so long, they act like a family despite not being related, and it’s hilarious (and their relationships with their real families are interesting too). And in the latest one, The Bad Batch, the relationship between the main character and his newfound little sister/adopted “daughter” is so cute…….
If anyone knows what I’m talking about, feel free to reply if you agreed that those were good examples…..or not……
You should have seen me trying to decide if The Mandalorian counted as a father figure and if I could include him in that section . . . XD
XD I’m sure that was quite a struggle
Well, I mean he was in my opinion. Adoptive to a completely different species, yes. But it’s the same idea.
What a great article! Siblings in stories, movies, or real life are great! Their relationships can be so complicated and unique. My current WIP focuses on five siblings, and I am having fun trying to make their relationships realistic. I have four siblings myself, and as the youngest, I can say that there are many advantages to being the oldest, youngest, or middle child. There are a lot of things that are hard with being the youngest. For example, being the only one left while everyone else is becoming adults. Also, who actually enjoys being the baby of the family? I matured a lot quicker than other kids my age because I didn’t want to be too far behind my siblings. The oldest child is often forced to grow up faster too because he must care for his younger siblings. And honestly, they are more spoiled than younger kids, in my opinion, and get away with a lot more. In my family at least, though, I think that the middle sister has the best of both worlds. Some of my favorite books are those that accurately depict sibling and family relationships because they are so rare. Sadly, people misrepresent siblings a lot both in stories and in real life.
Those are some great insights! I love your perspective on being the youngest–very insightful for me because that’s something I’ve never had. *writes notes for when I need to write a youngest*
Oldests do often appear to be spoiled. We like staying on our parents’ good side, and oftentimes, we get rewarded for that. 🙂 I can remember times though where jokes were made about me being “the favorite” and how uncomfortable it made me–I didn’t want to cause any trouble between me and my siblings!
In my case, my younger siblings are more likely to get away with way more–because they’re willing to try more things and ask for more things. I hate having the wrong answer, so I’m more apt to think through all my options and not ask for something if I think the answer will be no. 🙂 Personality is such a weird and interesting thing!
Favorite fictional siblings?!
Ummm Janner, Kalmar (Tink) and Leeli!!
(Mainly the boys XD)
……that series gives me sever heartache….
Yeah the end was soooo sad! It’s a hopeful open ending though, which is good for me.
Conclusion… Disney needs more princesses with siblings. XD Jk. Great article! And timely. 😀