By Chelsea Hindle

Imagine this: a young Christian writer sits at their desk, sweating anxiously. They've run into an unexpected snag in their latest novel. A bad word has popped up by accident, or a character has done something less than savoury. Frantically, the young writer wonders whether they should make hasty use of the backspace button. After all, what would their mother say?

At some point, every young writer comes face to face with the issue of portraying evil. By nature, stories rely on conflict to drive them, and conflict is usually caused by a brush with evil. So, it is inevitable that all authors must tackle the topic of evil sooner rather than later.

Unfortunately, evil is difficult to define. Everyone on earth has their own idea of what things are "bad", and worldviews often clash. While religion often lays the framework for "good" and "evil", atheists and agnostics also subscribe to morality. As Kingdom Pen has a majority Christian audience, we will be looking at this issue through the lens of the Bible. Despite this, I hope this article will be helpful to anyone, of any belief system, struggling with this issue.

Even within the confines of Christianity, "sin" is often up to interpretation. Thousands of years of church schisms have been because the Bible is often vague. In recent times, we have seen churches split over opinions on politics and controversies. Issues such as alcohol, divorce, war, and popular culture, continue to divide, even in this day and age.
 
To be clear, the Bible is not vague on everything, and some issues are unambiguous and usually agreed on. Do not kill, do not commit sexual sins, do not steal, and do not hate, are among them. But beyond that, many issues are up interpretation. I encourage you to be gracious with other Christians, especially those who disagree with you. We should not label others as heretics, or weak, because of what they choose to add or remove from their works.
 
Of course, you should still exercise prudence and self-control in your reading. However, too often I see Christian readers and authors tearing each other apart over perceived slights. Be kind, be gracious, and most of all, do unto others as you would have them do to you.

So, how do we portray evil and sin in our stories, without making others, or ourselves, stumble? How much detail is necessary, or wise? Is it okay to portray evil at all? I can't answer most of these questions in a 2,000-word article, it's between your conscience and God. But, today I am going to equip you with my four adverb guide to portraying evil in your novel.

Prayerfully

I advise approaching all things with a healthy measure of prayer. However, when we're dealing with the evil of the world, prayer is more necessary than ever. 

Some genres can get away with minimal depiction of evil. A lack of grittiness is one of the attracting things about, cozy mysteries and feel-good romances. Readers of these genres want sweet, clean books that won’t contain confronting harsh evil. And while that's a valid writing style, most genres delve into the messiness of the world sooner or later. Consider dystopian novels, which often deal with eugenics and genocide. Or historical, which dwells on the racism and violence of the past. Or crime novels, which tackle the base depravity of humankind. And consider contemporary, which more and more deals with abuse and sexual assault.

Consider what genres and subgenres you write, and what topics are endemic to those genres. Then consider whether you are mature enough and equipped to tackle those topics. Take the time to pray and ask God to give you wisdom as you consider this.
 
For example, when I began writing New Adult, I had to look at the content often encountered in these stories. Sexual issues are more prevalent in NA than YA, so how should I tackle that? In one novel I wrote, I ended up tweaking a major plotline, because I lacked the maturity needed to tackle it. This particular issue was marital infidelity and I still haven't written a book that deals with it. I simply do not have the emotional or spiritual maturity to do so. 

Prayer helps in any situation where you are unsure of what to do. If you've written a scene where the hero and heroine get a little out of hand, pray about it. Or if you've woven a subplot into your novel which you're not sure you can deal with, pray about it. Ask God His opinion on it, and on your spiritual maturity.

Also, don't be afraid to take it to an adult, or a spiritual mentor who you trust. Your parents, pastor, or youth leader will know you well enough to give you advice on the matter. This is something I've both done before, and also something I've given advice on.
What’s the bottom line here? Ask advice, from God, and from wise and mature people that you trust.

Carefully

A "devil-may-care" attitude toward evil is only going to end in tears--for either you or your reader. It is your responsibility as an author to depict evil with care.

Have you ever opened a book by an author you love, only to find a gratuitous sex scene in the middle of the book? I have and it's an unpleasant feeling. It breaks your trust in the author and can lead you, the reader, into a bad mental or spiritual place. 

While we, as authors, are not responsible for our readers' thoughts, we do need to portray evil with caution. Most Christian writers agree that graphic sex scenes are a no-go, as is graphic violence. But there's a lot of grey area before a scene descends into graphic or gratuitous. How far is too far? 

In all honesty, much of this is up to the author and the expectations of the genre. For example, in Christian romance, some passionate kissing, and some embracing, is acceptable. A sex scene isn't (at least in mainstream Christian fiction. Self-published is less constricted). YA can include more mature content than Middle-Grade, and Adult and NA can include more than YA.
When you're considering what content you include in your story, consider your audience. What are they expecting? And what are you comfortable writing?
Also, remember insinuation can go a long way. Reading between the lines is a great trick to avoid using graphic depiction. For example, why depict a heavy make-out scene when a kiss, and a wink to the reader, is enough to convey your intention? Try focusing on the emotional and mental effects evil has, rather than the specifics of the evil.

If in doubt, return to step one. Pray about it. Ask someone you trust to read over the scenes in question and get their opinion on the matter. While this might seem intimidating at first, take the chance and reach out.

As I mentioned earlier, I struggled with one of my novels and how I should depict marital sex. On one hand, sex between a married couple is beautiful and god-given. On the other, depictions of sex can leave readers confused, and longing for something they do not have. It is an area to be careful in, so I reached out to fellow Christian authors. I was lucky enough to have some kind and mature writers give me their opinions on the matter. Here on the Kingdom Pen forums, many older writers will be more than happy to help you out if you've hit a tricky spot.

Truthfully

One of the most common criticisms Christian fiction receives is an unrealistic worldview. Everything seems to be sunshine and rainbows in their world, while our world is full of darkness. As writers who are attempting to portray evil, it is important not to pull punches. We shouldn't be depicting evil as anything less than the horror it is.

The Lord of the Rings does a great job at showing the darkness for what it is. LOTR tackles the horrors of war--which Tolkien experienced first-hand in World War One. The War scars the characters, in both physical and mental ways. Beloved characters die brutal deaths. Kingdoms are lost and never regained. And while the evil is quelled, it is never defeated.
 
Another classic that shows the evil of the world honestly is A Tale of Two Cities. The main plot of this Charles Dickens novel hinges on the rape and murder of a young woman and her brother. This sets in motion a string of events, which leads to the death of an innocent man at the hand of the antagonist. 

Dickens knew the brutality of the world he was writing about. Both Victorian England and Revolutionary France were periods of extreme inequality. Women were often abused, the poor exploited, and the rich held unaccountable--issues that persist to this day. 

Neither Dickens nor Tolkien attempts to hide these brutal facts. Indeed, both of them use their stories to bring these moments of darkness into the light. Like them, don't be afraid to portray the darkness with honesty. Covering it up and pretending it doesn't exist doesn't solve anything. In fact, it only brings more sappy and sugary Christian novels to the shelves. These books don't meet readers where they're at or speak comfort into their lives. These books only leave them confused, angry, and often bitter.

Hopefully

This point is a bit of a balancing act with the latter point. Somehow, we must accurately portray evil, while also portraying it with hope. After all, as Christians, we have something to look forward to, even amongst the darkness of the world. Our ultimate reward is in Heaven, but on earth there are small moments that reflect that happy ending.

I'm sure most of us have read a book that was full of hopelessness. I've read many books that felt like sinking in a pit of muddy despair, which isn't enjoyable to read. These books pull readers down, bogging them in darkness and refusing them the light at the end of the tunnel. They are discouraging and do nothing to edify readers.
 
But how do you imbue hope into your story? Especially a story that's full of darkness and heavy topics? We don't have time to dig into this topic today, but I'm going to briefly cover three tactics. 

For starters, add moments of light, joy, and peace. For example, Pippin and Gandalf's talk about death in The Two Towers. Or Frodo's vision of Galadriel and her light in The Return of the King. Or the scene in 1917, where a soldier sings “Poor Wayfaring Stranger” before going into battle.

Another tactic is to add small victories throughout the story that hint at the coming dawn. For example, Neville killing Nagini in Harry Potter and the Deathly Hallows. Although Harry is "dead", and all hope seems lost, we experience a spark of triumph, no matter how small it may seem. Another example is in C.S. Lewis's The Last Battle. Narnia is dying and a fierce battle is raging, but the return of the Kings and Queens of Narnia reignites hope. 

And my final tactic is to add hope to the ending of the novel. For example, the ending of Fahrenheit 451, where a few people escape the destruction of the city. They own the banned art and literature, and there is hope for a better humanity.

Or in A Tale of Two Cities, where we can find just as much hope as brutal evil. In the end, the victims receive justice. Our protagonist sacrifices his life in a Christ-like manner. The novel ends with a statement of hope for the future, and of a perfect life in eternity. It is a novel that embraces both "the season of Light [and] the season of Darkness". It portrays evil and then combats the evil with hope, and plenty of it.

On that note, we’re going to wrap this article up. To summarise, we need to treat evil in our stories with caution. After all, it is dangerous to play with fire. But we are also not to shy away from sin, cloaking things in darkness conceals them, which causes evil to breed. For it to lose its power, light must be shone on the darkness and as authors, that is part of our job. Portray evil with caution, and if in doubt, turn to those wiser than you.

Did this article help clarify how to portray evil in a careful and cautious way? What tips or advice would you add?

Chelsea Hindle
Chelsea Hindle is an 20-year-old writer who masquerades as a dog trainer by day and scribbles away in a notebook at night. 
At the impressionable age of 15, she discovered Kingdom Pen, which changed her life in the best way possible and motivated her to pursue her dreams. Since then, she has written dozens of stories, made many mistakes, and enjoyed every second of the writing life.
When she isn’t writing fantastical tales, Chelsea can be found training her dogs to play the piano, cooking, knitting, and reading too many books.

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