How to Develop Realistic Sci-Fi Technology

On the surface, sci-fi is one of the easiest genres to define: stories involving speculative science. But the word speculative has deeper connotations than you might think. When authors incorporate as-of-yet uninvented technology into their stories, they are speculating answers to different what ifs. What if people had the ability to indefinitely extend their lifetimes? What if the government had to completely restructure itself to deal with the changing population demographic? What if certain religious groups rejected the artificial life extensions and suffered persecution for continuing to procreate, which the rest of society worries could lead to overpopulation?

How_to_Develop_Realistic_Sci-Fi_TechnologySci-fi writers are equally nerds and philosophers because they explore the limits of mankind’s knowledge and the fundamental reality of human existence. But when writers fail to show the various ramifications of their fictional technological achievements, their story worlds ring false.

Thankfully, you can avoid this fate by tackling the following five questions in your sci-fi story.

#1: What is the Government’s Response?

One of the most implausible elements of most sci-fi stories is that a fantastic, life-changing technology is developed, yet the government does nothing—instead of flooding the scene with an overabundance of red tape and restrictions.

Marvel’s Civil War did an admirable job of addressing the state’s role by playing out what happens when lawmakers, international boundaries, and governmental oversight finally catch up to scientifically enhanced superheroes. Cap and Iron Man, who previously enjoyed a free reign as they thwarted evil, must choose between submitting to a questionable higher power or acting as vigilantes. [Read more…]

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Sierra Ret — homeschool grad, camping fanatic, and amateur adventurer — joined the KP team as an intern a year ago and has since been promoted to Writing Team Captain, an honor equally thrilling and humbling. She enjoys both swinging in a hammock in the woods and hermiting behind a laptop screen with a mug of tea in one hand and a bar of dark chocolate in the other (something that tends to make typing difficult).
While the most recent plot in her long string of fantasies involves making a living as a travel blogger in New Zealand, she currently makes her home in Peterborough, Canada, a pleasant land that bears an uncanny resemblance to the Shire. But regardless of whether she eventually settles at home, abroad, or at the seat of government power in Ottawa, her chief aim is to live a passionate and meaningful life for the glory of God.

Purposefully Capturing a Reluctant Reader

By Jessica Greyson

Into caring about the details of your world

I’ll be the first person to admit it. I am not the best at worldbuilding, I am much better at what I call world painting. My first published book Annabeth’s War has a lack of description. I’ll be honest. I did it on purpose. Why?

There are several uses and reasons to worldbuild or not to worldbuild. CapturingReluctantReader_post

In Annabeth’s War, I chose not to specifically worldbuild, and describe deeply. Why? I wanted the reader’s imagination to take control of the situation. I wanted them to paint the canvas of Annabeth’s War for themselves. I put in the emotions I wanted the readers to understand, but the rest was up to them. They could read as a spectator, or they could step into the shoes of Annabeth and Ransom and make the world their own. The choice was up to them.

However, many people need more guidance:  they want to be told a story, and that is where purposeful worldbuilding or painting comes in.

Personally I don’t like too much worldbuilding as a reader.


Because far, far too often the characters didn’t care.

For me as a reader and writer, worldbuilding must be purposeful; it must have meaning. I don’t know how many times I’ve skipped description in a book because I felt they had no meaning and were mere words that clogged the story from the plot and inhibited the story’s building drama. Why are you describing the sunset to me, if it’s a mere fact of life? As a reader I see no purpose for the description of sun putting itself to sleep behind the ridge of mountains, no matter how prettily put. [Read more…]