How God Fits into Character Archetypes

By Mark Kamibaya

The character archetype system (roles that characters play in a story) is used by many authors. It was invented by Swiss psychiatrist Carl Jung (basically Sigmund Freud version 2.0 but without all the libido). Carl Jung broadened the field that Sigmund Freud revolutionized. He coined the labels extrovert, introvert, sensing, feeling, thinking, and intuiting (the basis for the Myers-Briggs Personality Types) and gave authors character archetypes.how_god_fits_into_character_archtypes

According to the original list by Carl Jung, there are twelve archetypes: the Innocent, Everyman, Hero, Caregiver, Explorer, Rebel, Creator, Lover, Jester, Sage, Magician, and Ruler, none of which are bound by genre. [Read more…]

Fight Scenes 101: Writing The Fight

By Mark Kamibaya

 

You’ve got your fight scene all figured out. You’ve followed the five basic scene planning principles and have made sure to keep character at the forefront. Now for the hardest part: writing the fight scene.

A picture is worth a thousand words (or so the saying goes). So if a picture is worth a thousand words then how many words is a movie worth (24 frames per second and about two hours long)? Movies fightscenespost2seem to have supremacy over books especially in the area of fight scenes. Action is very much a visual journey. Would you rather read:

John turned left and punched the man with his right hand, but the man dodged the punch and returned that punch with another punch straight to John’s face.

or see it happen? Movies even have the advantage of hearing the sound of things we’ve never heard before supported by the greatest emotion mover, music. But if movies reign supreme, then why do we always hear that the book is better? There are only two advantages that books have over movies. And we need to use them to turn something visual, like action, into something experiential.

First, character connection.

The power of this is in the reader. Books can show the reader the thoughts of characters. Their internal choices and battles. Readers step into the shoes of the character and join them on a journey at the same time. This is why the book is always better than the movie. You can never be closer to someone other than yourself than with the character of your favorite book. The depth of the relationship is so close it cannot exist off the page.

Note: Actually it can exist off the page. But only divinely. [Read more…]

Fight Scenes 101: Planning The Fight

By Mark Kamibaya

 

More often than we would like, we read fight scenes. And more often than we would like, we read boring fight scenes.  Fight scenes that don’t keep us on the edge of our seat, but make us flip pages to see when it ends. So how can we make gripping fight scenes that engage and enthuse our audience? It takes both careful planning and considerate writing.  fightscenespost

Planning the Scene

A fight scene is a fight scene. Therefore, you should plan it in the same way you plan all your other scenes. So approach it using thesefive simple scene planning principles.

First, every scene needs to advance the plot.

This isn’t easy. It’s hard to cut scenes you’ve worked hard on. Some scenes are there just to show your great writing skills. Cut them. Some scenes don’t exactly advance the plot, but give great characterization moments (like showing a protagonist has awesome fighting skills). Cut it. Worst case scenario is the reader will put down your book because she’s always losing the plot. Any scene that doesn’t advance the plot needs to be cut.

Second, pace your scenes.

Two big secret reveals in a row? Hinges on melodrama. Two character deaths in a row? Too much angst. Two major fight scenes in a row? Boring. This applies to fight scenes even more because some authors (usually guys) love action so much they just stick it in at every opportunity for any excuse. “Well, I’ll put a fight scene in here because it will show that Bobby likes kittens so much he literally fights for their rights!” (Also a great characterization moment) Please, no. [Read more…]

How To Create An Intriguing Character

By Mark Kamibaya

Note: I refer to characters and readers as masculine. However, these principles can also be applied to female characters and readers.

Creating a character is often the hardest part in writing. It should be. God created every human being with an intricate and complex personality or nature. Putting all of that complexity on a page is no easy task. Characters are also the main reason why readers will want to read your story. An amazing character can hook a reader even if Intruiging_Charactersthe plot is cliched or even boring. It rarely works the other way around.  A lot is riding on your main character. He can make or break your story. How can you ensure that your main character will hook your reader? One word: conflict.

Characters, especially main characters, must have conflict. There are many ways to add conflict to a character. The easiest way is conflict in surroundings. This is where you put an ordinary person into an extraordinary situation. Like a simple hobbit thrust into an unexpected journey or a young shepherd boy called by God to slay the giant champion of another nation.

Another almost cliched (but nonetheless effective) way is conflict of the past. The best example is the tortured hero: the protagonist that is tortured by his dark past and the personal demons that stem from it. As I said before, this method is overdone, but it can still be used to great effect when you put an original spin on it.  One way to put an original spin on this cliche is to not have him be the instigator or victim of whatever horrible incident, but to make him a bystander of the incident so that his inaction is what plagues him.

[Read more…]