How to Write the First Page of Your Novel

There are no set rules for an opening line of a novel. Nearly anything goes—be it description, dialogue, or a statement of philosophical truth. But that flexibility does not apply to the first page of your novel. All good novels contain several essential elements that immerse the reader in the story world and keep them there, ideally to the end of the book. Here’s a breakdown of the five key components to include in the first page of your novel.How_to_Write_the_First_Page_of_Your_Novel

1. Your Protagonist

As our Editor-in-Chief, Josiah DeGraaf, helpfully explained last year, the novel is distinguished from other storytelling art forms by its focus on the inner lives of its characters. Principally, you will be selling your story on the personality of your main character, and it’s best to introduce him or her to the audience as soon as possible to begin building that connection.

There are two ways to handle this. The first is to start with an intriguing description of your character. Don’t say that Marcus Langley is five foot nine with sandy-brown hair and azure-blue eyes. Your readers’ imaginations can supply those details easily enough. Instead, tell readers he’s a mushroom hunter. Or an explosives expert in a special-ops unit. Those few words will fascinate readers more than entire paragraphs delineating physical details. [Read more…]

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Sierra Ret is a homeschool student who spent nearly her entire childhood with her nose buried in a book, and consequently decided she wanted to write one of her own (preferably filled with dwarves and elves). Actually getting her thoughts down on paper regularly has proven to be a far greater challenge than she first thought, but Kingdom Pen was kind enough to step in and give her some much-needed deadlines by honouring her with a temporary spot on their writing team. When not hermiting behind a laptop screen, Sierra enjoys gallivanting across Canada and adventuring near her home in rural Ontario with her family. Currently her chief fantasies include making a living as a travel blogger and someday moving to New Zealand. But above all, her chief aim is to live a passionate and meaningful life for the glory of God.

Fight Scenes 101: Writing The Fight

By Mark Kamibaya

 

You’ve got your fight scene all figured out. You’ve followed the five basic scene planning principles and have made sure to keep character at the forefront. Now for the hardest part: writing the fight scene.

A picture is worth a thousand words (or so the saying goes). So if a picture is worth a thousand words then how many words is a movie worth (24 frames per second and about two hours long)? Movies fightscenespost2seem to have supremacy over books especially in the area of fight scenes. Action is very much a visual journey. Would you rather read:

John turned left and punched the man with his right hand, but the man dodged the punch and returned that punch with another punch straight to John’s face.

or see it happen? Movies even have the advantage of hearing the sound of things we’ve never heard before supported by the greatest emotion mover, music. But if movies reign supreme, then why do we always hear that the book is better? There are only two advantages that books have over movies. And we need to use them to turn something visual, like action, into something experiential.

First, character connection.

The power of this is in the reader. Books can show the reader the thoughts of characters. Their internal choices and battles. Readers step into the shoes of the character and join them on a journey at the same time. This is why the book is always better than the movie. You can never be closer to someone other than yourself than with the character of your favorite book. The depth of the relationship is so close it cannot exist off the page.

Note: Actually it can exist off the page. But only divinely. [Read more…]

Forgotten Aspects of Action

By Melody Faith 

Action and Adventure is a large genre of novels today. One of my favorites, in fact. A large part of these novels is, of course, action. Fist fights, gunman chases, sword duels, battle scenes: all those intense scenes that make the action a reality in the story. I have always enjoyed action in stories.Forgotten_AspectsWhen it comes to writing it, there are some pretty main points that young writers tend to forget. They are the forgotten aspects of action scenes.

 

Cinema Impression

That scene where you can practically see the camera angles for each scene. See the pain but also emotion in a character’s face as they swing their weapon. Hear the dramatic music ringing through the battle as a beloved character falls. Their hand moves up slowly, and you hold your breath as you await the end of an intense fight. And then you look up from your book; all is still in your bedroom, it’s late at night and your family is all asleep. Few authors do this, but those that do, create it well. James Byron Huggins, the author of a fantastic novel called Rora, is amazing at incorporating this. You feel as though you are there for every fight that Joshua encounters, defending against the enemy for your very life. So when it comes time for you to try out the cinema impression, try to slow down those scenes. If you have to choreograph the fight ahead of time, do so. View it like a story board artist: what camera angle would you focus on?

 

Character Development

Many times young authors like to emphasize characters in quiet scenes, rather than action scenes. They feel like they have to take a break from the story to expound on who the character is. Don’t let this happen. Action scenes are crucial for your character’s development. How do they react under pressure? How do they think when they have little time? What are the thoughts running through their head when their lives are threatened? Who would they sacrifice themselves for? Understand that your character is weak and vulnerable in action scenes: you are seeing them for who they really are. Take advantage of this; let your reader see who this character really is. Do they have a secret the reader only hears about in those intense moments that the character drops their guard?  Enjoy discovering who your character is in these moments, and drop the intense focus on what kick your character will carry out. Just dig into who this character is.

 

Dialogue

This goes hand and hand with character development and plot driving. Keep the characters talking. It helps the plot to continue driving home rather than pausing for each fight or battle scene. The best I have seen of this is Ted Dekker’s Circle Series. Thomas Hunter is a martial artist in one world and an army commander in another. In each fight scene, the plot continues to flow strongly, questions are raised, and the plot builds. You also get to know each character through the scenes, while not pausing the whole story for a flashback. When dialogue flies between the hero and antagonist, it builds so much more tension and emotion. Make your characters converse as they fight, and take advantage of these moments to flesh your character out more.

 

Aftermath

A lot of us enjoy writing the action scenes, but then when it comes to the aftermath, it’s like writer’s block strikes again. A large flaw for new writers is to skip over the aftermath. They move on to the next exciting scene, forgetting they left a character back on the last page with a broken limb and busted lip. You can’t forget the effects of the action scene. Follow through with your action. It’s not all about the fight: include the aftermath and show how it has affected your character. Bryan Davis is great at doing this in his Echoes from the Edge series. After each action scene, you are given a chance to breathe as you read about how the characters were affected. In your aftermath scenes, don’t forget to emphasize how the plot has moved or changed since it took place.

 

You can probably tell that when it comes to writing, developing your character and plot are the biggest points. It must all tie back to that. So even when you are writing intense action, don’t throw it in there carelessly. Take great care to why it is there. Have fun and delve into your action scenes, get to know your characters, and keep the plot flowing.

 

IMG_1294-3At fourteen years old I decided to pick up writing novels. I had always loved writing essays and
reports but I had never considered writing novels. I was introduced to Nanowrimo by a friend, I
decided to try it out. I never stopped writing novels since. I found a new love. A new world was opened up to me, one I could create myself. I have a firm belief in using coffee as a writing fuel. C. S. Lewis has always been my inspiration. I want to write showing messages that point to Christ and inspire others to do greater things. When I am not writing I enjoy graphic design of all varieties, listening to music, and training in Karate with my nine other siblings.